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    In the film, except for actors in giant monster suits, Jonze has the story unfold in a largely realistic environment—a landscape not so different from, say, that in “The Blue Lagoon.” His big intention with this project, Jonze has said, was not to make a children’s film but “a film about childhood,” one that presents what it actually feels like to be a kid (in this case, a nine-year-old boy who lives with his divorced mother and older sister). At the heart of the film and throughout, what motivates Max (as well as the humans and monsters who surround him) can be described as “hurt feelings.” This movie is a bouillabaisse of misunderstandings, hot tears, anger, home-wrecking, hitting, and injured recriminations.

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